Maxim's pour Homme by Maxim's (1988)



This is for me one of those cases where I am really happy and thankful that sites like Basenotes exist. If it wasn’t for the positive raving reviews here, I would have never cared for this scent – an obscure name evoking some generic seedy nightclub (sorry, I didn’t think of “that” Maxim’s at first), a rather unappealing box, very little information except for the fact that this was made by Pierre Cardin (meh...) in collaboration with a Parisian restaurant – an anecdote which wouldn’t really be enough to make me intrigued about this fragrance. If any, it would have instead almost an off-putting effect on me. Well anyway, once I read the reviews I thought it was maybe worthy a blind buy instead. I found a really cheap “no barcode” bottle of this and – bingo! I can’t say better what other reviewers already wrote. Just believe them, and believe the (still quite limited) hype.

Maxim’s homme is an amazing hell of a keeper, a fantastic and sophisticated leather chypre which should sit if not next, then just a short step below some of the finest leather chypres of all times, from vintage Or Black to vintage Bel Ami or Moschino pour Homme. The structure is pretty traditional, and others have already analyzed it, so there’s no point in telling how it smells again in detail... it’s just an impeccable, rich, elegant and truly high-quality balsamic woody-leather scent with a really enjoyable whiff of smoky, and almost honeyed-candied floral notes, a bit like in Bel Ami – that kind of dark, austere and distinguished “manly” leather with a hint of balsamic-powdery smooth softness. At first it smells more about pine needless and dry woods, but once it warms a bit, the magic happens and Maxim’s unravels a truly delightful, crisp and brilliant harmony of leather, tobacco, “masculine” flowers, balsamic woods, a subtle musky base of mossy dirt.

I think the balance between the darker side with leather, tobacco and austere woods, and the balsamic-floral side with a really peculiar sort of dusty-sweet resinous texture and a nondescript, yet charming musty aftertaste, is truly remarkable and one of a kind. It’s simple, but so finely tuned it smells more unique than it may seem. Plus the quality is overall ridiculously good, there is an amazing feel of clarity and sultry depth which one would never imagine coming out from something so inexpensive and, say, visually cheap. Another obscure, totally good and totally neglected vintage cheapo which smells a bit similar to this came to my mind, - Bally Masculin, but Maxim’s seems showing clearly a higher quality. This could have really easily been some Hermès, Givenchy or Guerlain. Same richness, same elegance halfway formal and effortless, same vibrancy and same uniqueness of most of their finest vintage offerings for men. I’ve read on the Internet that this was an early work by Jean Claude Ellena, and well, I can really believe that. Simply great.

8,5-9/10 

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